Amy Krouse Rosenthal,Jeff Middleton: Encyclopedia of an Ordinary Life

Encyclopedia of an Ordinary Life


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"If you're looking for quotes from newspapers and magazines, NPR, book reviews, endorsements from thousands of readers and bloggers, google "Encyclopedia of an Ordinary Life" and just see for yourself how people everywhere are responding to this book." In "Encyclopedia of an Ordinary Life," Amy Krouse Rosenthal has ingeniously adapted the centuries-old format of the encyclopedia to convey the accumulated knowledge of her lifetime in a poignant, wise, often funny, fully realized memoir. Using mostly short entries organized from A to Z, many of which are cross-referenced, Rosenthal captures in wonderful and episodic detail the moments, observations, and emotions that comprise a contemporary life. Start anywhere--preferably at the beginning--and see how one young woman's alphabetized existence can open up and define the world in new and unexpected ways. An ordinary life, perhaps, but an extraordinary book. Cross-section of ordinary life at this exact moment A security guard is loosening his belt. A couple is at a sushi restaurant with some old friends. They are reminiscing. In the back of their minds, they are thinking of being home. A woman is trying to suck on a cherry Lifesaver but will end up biting it in six seconds. A little boy is riding the train home with his dad after spending the day together at his office. A man is running back into a grocery store to look for a scarf he dropped. He will leave with the phone number of a woman who will become his wife. Words the author meant to use Flair, Luxurious, Panoply, Churlish, Dainty, Folly Wines that go nicely with this book reds: Marcel Lapierre Morgon (France), Alario Dolcetto d'Alba Costa Fiore (Italy) whites: King Estate Pinot Gris (Oregon), Landmark Chardonnay Overlook (California) Book, standing in the bookstore holding a If I am standing there with the book in my hand, one of three things has already happened: Friend recommended it. Read a good review. Cover caught my eye. I can appreciate a cool cover. But it's like the extra credit part of a test--it only enhances an already solid grade. Getting it right won't help if most everything else is wrong. And getting it wrong won't hurt if most everything else is right. (There are countless books I cherish whose covers I don't like too much, or cannot even now recall.) The interior of the book--the terrain of its pages, where all those words took me, the tiny but very real spot it ultimately occupies in my mind--that becomes the book. Next I go to the flaps. The front flap needs to intrigue/not bore me, and the bio needs to tell me just enough about the author. I'll do my best to extract the author's entire existence from their 2-X-2 inch photo. Off to the back cover. I'll be momentarily impressed when I see a blurb by a hot writer like ____, but I know that it is just as likely that I'll like the book as hate it regardless of these quotes. I look at them in a more voyeuristic way, like a literary gaper's delay: Wow, the author knows So and So. Bet they send each other clever text messages. Really the only thing I can gauge from the blurbs is my own pathetic jealousy level. To get a true sense of the book, I have to spend a minute inside. I'll glance at the first couple pages, then flip to the middle, see if the language matches me somehow. It's like dating, only with sentences. Some sentences, no matter how well-dressed or nice, just don't do it for me. Others I click with instantly. It could be something as simple yet weirdly potent as a single word choice (tangerine). We're meant to be, that sentence and me. And when it happens, you just know.

--Gustavo Kuerten, three-time French Open champion "Oscar has broken the mold, demystifying the modern tennis stroke. There's genius in his analysis of pro techniques--the dynamics of what the racquet does to the ball, how power and spin are added. He understands how top pros really stroke the ball, and always have, all the way back to Tilden."--Andy Rosenberg, Director for NBC Sports Wimbledon and French Open "Who Goes There?" The novella that formed the basis of "The Thing" is the John W. Campbell classic about an antarctic research camp that discovers and thaws The Gospel of Life free download pdf the ancient, frozen body of a crash-landed alien. The creature revives with terrifying results, shape-shifting to assume the exact form of animal and man, alike. Paranoia ensues as a band of frightened men work to discern friend from foe, and destroy the menace before it challenges all of humanity! The story, hailed as "one of the finest science fiction novellas ever written" by the SF Writers of America, is best known to fans as THE THING, as it was the basis of Howard Hawks' The Thing From Another World in 1951, and John Carpenter's The Thing in 1982. With a new Introduction by William F. Nolan, author of Logan's Run, and his never-before-published, suspenseful Screen Treatment written for Universal Studios in 1978, this is a must-have edition for scifi and horror fans!


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Author: Amy Krouse Rosenthal,Jeff Middleton
Number of Pages: 240 pages
Published Date: 20 Aug 2008
Publisher: Three Rivers Press
Publication Country: New York, United States
Language: English
ISBN: 9781400080465
Download Link: Click Here
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